Oblivion Ensemble - Seraphim Hallucino CD
$13.00
Malignant Records (2006)
Oblivion Ensemble’s fifth full-length release, the first since the virtual opera “Nightmare: Sinistrotorse” (Complacency, 1995). At Seraphim Hallucino’s source are strange, electro-acoustic improvisations of percussion, trumpet, voice, synthesizers and guitar. These improvisations are sculpted and sampled, twisted and turned, shaped into building and diminishing moments, and, at times appearing alone, pure and unmodified.
Deeply imbedded in the music and fragmented lyrics are secrets, intertwining themes, voices, imprinted messages - listening with headphones in a darkened room is highly recommended.
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Oblivion Ensemble | Samarkande limited edition split CDR
$10.00
A limited-edition split CDR, numbered 1 to 100 and hand-signed by members of both groups. Released first as a special gift to audience members in comemoration of their joint concert events:
A|V Space • Rochester NY • Jan 26 2007
Gesù Espace Aline Letendre • Montreal QC • Jan 28 2007
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Oblivion Ensemble - Nightmare: SinistrotorsE CD
$12.00
Complacency (1995)
A "virtual" opera featuring a wide array of electronics, acoustic instruments, female vocalists, whispers, staticky noise rock and a dark libretto woven into a surreal sound sculpture.
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Oblivion Ensemble - Phonorecord
$15.00
Drone Records (1998)
With more than twenty minutes of music, Oblivion Ensemble's Phonorecord is one of the longest playing releases in Drone Records' series of 7"EPs. The material for the record was recorded live at The Tea House Art Gallery in Rochester, New York, and subsequently edited and arranged for this release. No distinction has been made between the two sides of the record; this simply is Oblivion Ensemble's phonorecord: two extended stream-of-consciousness soundscapes.
A great wealth of different elements have been incorporated into these free-floating musical tapestries. Here are many layers of spacious atmospheres, sporadic outbreaks of various percussions, electronic effects, occasional samples of an indiginous quality, and the reflexive use of crackling vinyl. The music vexes and wanes, being at turns relaxing and meditative, and, intense and disconcerting. At times, the pieces come to complete halts, only to resume again, and pursue altogether different tangents, and as such the music is propelled by a nice sense of the unpredictable and spontaneous. These improvisational qualities are perhaps best illustrated by the manner in which both sides end -- one, abruptly in the middle of a tone, and the other with a brief appendix of drifting ambience. The over-all impression of listening to these strange, meandering compositions is akin to watching some drama or ritual unfold, the content of which is alien and obscure to the point where only the vaguest comprehension is possible.
Phonorecord is presented in a faded purple sleeve with colorful handmade stamp designs. The vinyl is of a smoky translucent variety, and the release is as usual limited to 250 copies in this first edition.
- LAST SIGH
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Figure - When The Alphabet Hides In Your Mouth CDR
$7.00
A hallucinogenic journey through dream-like states between sleep and waking. Shifting waves of electronic color merge seamlessly with fragmented and passionate performances of shambling percussion, guitar resonances, voice and flute. Figure's latest work is a deeply personal submersion into dark and surreal visions, realized with a brilliant attention to sonic detail.
Hand-signed and numbered limited edition of 100 copies.
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Figure - Exhaling Ammonia CD
$12.00
Multimood Records (2000)
'At its core, Exhaling Ammonia is droning, introspective and organic, tapping into unseen places and caressing sensitive areas previously unknown. And at critical moments, Figure is unafraid to overload the sonic space with static and rhythmic wreckage that lends even more strength to the music. Upon repeated listenings, the album remains simultaneously beautiful and grainy, like an old and sentimental photograph.' - STATIC SIGNALS
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Figure - My Spine Is The Bow That Breaks CD
$12.00
Multimood Records (1998)
'With its organ grind long low keys, My Spine Is The Bow That Breaks keeps to a Gothic sensation and fits right in among the florid flocks. Creator Brannon Hungness (so that's what's going on in Dakota) likens to Diamanda Galas however, where the make-up doesn't matter one bit. Incredibly slick and professional, this CD tells tales of real thought and serious endeavours. There's a real nightmare going on in there, a vehicle to cerebral mutilation so far blacker than
most death Rock that goes before. With its own embedded guillotine coming down here and there it cuts no noise, but silence. Quiet. A little horror if you add in your own heartbeat, exquisite handling of anticipation, and dread. Unrequited fear in the sudden cut-offs. It is easy to
hear that Mr. Hungness has some valid training, and is working towards a masterpiece. Aided by Elliott Sharp and The Morpheus Chamber Orchestra among others, Figure is close to one; just stay on the edge of your seat and see when it surges. In the meantime, listen to the bow break.' - FREQ
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Torse - The Vivid Dream CDr
$7.00
Static Signals (2004)
Torse is the industrial / noise project of Oblivion Ensemble founding member John Bergstrom; Torse focuses on a darker, noiser, more beat-driven nucleus, but maintains the same intricate and diverse sonic textures, which gradually and beautifully reveal their whispering secrets.
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Hungness - Virtual Symphony No. 1 CD
$12.00
Multimood (1996)
An all-encompassing multi-dimensional maelstrom of shifting and transforming sound sculptures from Oblivion Ensemble and Glenn Branca Orchestra member Brannon Hungness.
'...has at least 18 musicians doing various things at various times, all meticulously choreographed... Overall, this is a great record of experimental music, sometimes ambient, sometimes avant-garde, but mostly uncategorizeable.' - MANIFOLD
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